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Bitcoin biopic starring Casey Affleck to use AI to generate locations and tweak performances
Killing Satoshi, an upcoming biopic about the elusive creator of Bitcoin, will reportedly rely heavily on artificial intelligence to generate locations and adjust actors' performances, Variety reports. The film was announced in 2025 as being directed by Doug Liman (The Bourne Identity, The Edge of Tomorrow) and starring Casey Affleck and Pete Davidson in undisclosed roles, but its connection to overhyped technology was previously understood to begin and end with cryptocurrency. According to a UK casting notice viewed by Variety, the producers of Killing Satoshi reserve the right to "change, add to, take from, translate, reformat or reprocess" actors' performances, using "generative artificial intelligence (GAI) and/or machine learning technologies." No digital replicas will be created of performers, but it sounds like plenty of other AI-driven tweaks are on the table. The production's use of AI will also extend to the setting of its shoots, per Variety's source. Killing Satoshi will be shot on a "markerless performative capture stage" and things like backgrounds and locations will be entirely generated by AI. You guess is as good as mine as to why a film about blockchain technology needs to be filmed this way, but Doug Liman has been connected with plenty of unusual projects in the past, including a rumored Tom Cruise film that was supposed to film on the International Space Station. Killing Satoshi will be far less practical in comparison, and walking a much finer line of what's acceptable in the entertainment industry. A major sticking point in SAG-AFTRA's 2023 contract negotiations was guaranteeing protections for actors who could be replaced by AI. Equity, the union representing actors in the UK, is currently negotiating protections for members that are concerned that AI could be used to reproduce their likenesses and voices and let studios use them without their consent.
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Bitcoin biopic 'Killing Satoshi' leans into generative AI
An upcoming biopic about the mysterious creator of Bitcoin, Satoshi Nakamoto, starring both Casey Affleck and Pete Davidson, is causing controversy for its willingness to use artificial intelligence, not only to generate backgrounds and scene locations but also to adjust actor performances. The film, Killing Satoshi, will be directed by Doug Liman (The Bourne Identity and 2024's Road House) but it was producer Ryan Kavanaugh who has been making headlines when he disclosed in a U.K. casting notice that the filmmakers reserve the right to "adjust" actor performances, including the right to "change, add to, take from, translate, reformat or reprocess" those performances, and that the actors themselves will be performing on a "markerless performative capture stage and not in any locations," according to reporting by Variety. These revelations come at a time of heightened anxiety and uncertainty in the film and TV industry, particularly around the use of artificial intelligence to augment, or even fully replace, the work of creative professionals. Labor unions, copyright lawyers, and federal courts are scrambling to come to terms with the implications of generative AI's incredible ability to repurpose existing creative material. Consider, for example, this AI-generated encounter between Keanu Reeves' characters Neo and John Wick and Arnold Schwarzenegger's iconic Terminator, created using Seedance 2.0, or this AI-generated clip of Jack Black doing a comedic turn as Darth Vader from Star Wars, created using Google's Veo 4, and you'll quickly grasp the transformative and disruptive power of these technologies. In response to the public anxiety around the choice to lean into AI use in the making of Killing Satoshi, producer Ryan Kavanaugh had this to say to Variety: We were very cautious, sensitive and overly protective of our actors to make sure we only use performance capture AI which means that we will not have any AI-generated actors that do not exist. AI is a tool we're using to make the filmmaking process more efficient while maintaining all department heads' jobs, all actor jobs and hopefully helping to grow the industry in a positive way. Though currently still just in production, Killing Satoshi will be one of the first movies to test these boundaries, so anyone interested in the intersection of AI and creative work should pay close attention to its reception.
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Killing Satoshi, an upcoming Bitcoin biopic directed by Doug Liman and starring Casey Affleck and Pete Davidson, will rely heavily on artificial intelligence to generate backgrounds and adjust actor performances. The film's approach has sparked controversy in the entertainment industry, coming at a time when unions like SAG-AFTRA are negotiating protections against AI replacing creative professionals.

Killing Satoshi, an upcoming Bitcoin biopic about the mysterious creator Satoshi Nakamoto, is testing the limits of artificial intelligence in filmmaking. Directed by Doug Liman, known for The Bourne Identity and Road House, the film stars Casey Affleck and Pete Davidson in undisclosed roles
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. What sets this production apart is its extensive reliance on generative AI technology, not just for visual effects but for fundamentally altering how actors work and how scenes are created.According to a UK casting notice viewed by Variety, producers reserve the right to "change, add to, take from, translate, reformat or reprocess" actor performances using "generative artificial intelligence (GAI) and/or machine learning technologies"
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. While the production has stated that no digital replicas of performers will be created, the scope of AI-driven modifications remains broad and largely undefined. Actors will perform on a "markerless performative capture stage" rather than in physical film locations, with backgrounds and settings entirely generated through artificial intelligence2
.The announcement arrives at a moment of heightened anxiety in the entertainment industry over artificial intelligence replacing or augmenting creative jobs. SAG-AFTRA's 2023 contract negotiations centered heavily on guaranteeing protections for actors who could be replaced by AI, while Equity, the union representing actors in the UK, is currently negotiating similar safeguards for members concerned about studios reproducing their likenesses and voices without consent
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. The ethical implications of using AI to modify actor performances without clear boundaries have become a flashpoint for labor unions, copyright lawyers, and federal courts struggling to address the intellectual property challenges posed by these technologies2
.Producer Ryan Kavanaugh defended the production's approach, telling Variety: "We were very cautious, sensitive and overly protective of our actors to make sure we only use performance capture AI which means that we will not have any AI-generated actors that do not exist. AI is a tool we're using to make the filmmaking process more efficient while maintaining all department heads' jobs, all actor jobs and hopefully helping to grow the industry in a positive way"
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The connection between a cryptocurrency-focused narrative and AI-heavy production methods remains unclear, though Liman has pursued unconventional projects before, including a rumored Tom Cruise film intended to shoot on the International Space Station
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. Killing Satoshi will be among the first major productions to test these boundaries in practice, making its reception crucial for understanding how the entertainment industry will navigate the intersection of artificial intelligence and creative work. The film's approach to markerless performative capture and AI-adjusted actor performances could establish precedents that reshape production standards, or it could face significant pushback from unions and audiences concerned about protecting human creativity in an increasingly automated landscape.Summarized by
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