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Chris Pratt takes audiences along on immersive AI journey in 'Mercy'
This video file cannot be played.(Error Code: 102630) LONDON, Jan 20 ((Reuters)) - Thriller "Mercy" imagines a near future where the justice system is powered by artificial intelligence and suspects are presumed guilty unless they can prove their innocence. In a violence-ridden Los Angeles in 2029, police detective Chris Raven (Chris Pratt) wakes up in a stupor, shackled to a chair, facing the AI judge Maddox (Rebecca Ferguson) that he helped create. Raven is accused of murdering his wife and has 90 minutes to prove his innocence or he will be executed on the spot. The Timur Bekmambetov-directed movie felt like a theatre play said Pratt and Ferguson, who were split up on separate stages, communicating via earpieces and acting out 40-50-minute long scenes. "I've never played a robot or AI, tapping into human emotions," said Ferguson. "The conversations that came with that, it was really fun." "For me, being confined to a chair was something that was different. I'm a pretty physical person," said Pratt, who asked to get strapped in for takes. "I found it helpful because I truly felt I could fight against it, and felt even more claustrophobic." To portray the motionless Maddox, who mimics humans, Bekmambetov gave Ferguson a chart of emotions. "He would say, 'I want you to smile at the oddest moment'," she said. "There wasn't that much for me to work with, other than behind the eyes." Maddox has access to the city's cloud, to which all citizens are legally obligated to connect their devices, and which Raven can use to try to exonerate himself. Shot in Bekmambetov's "screenlife" style, much of the film's action takes place on displays. As Maddox and Raven scour social media accounts, surveillance feeds, police body cameras, doorbell recorders and databases, the images are blasted on the futuristic courtroom's walls. Pratt believes the film's immersive nature will make audiences question their own behaviour. "They're going to probably be thinking, 'I've etched each of my actions in digital stone over the past 12-15 years. If I'm ever put in a position where this could be used against me, there's a lot of stuff out there," he said. "You're kind of on the same journey with my character. As I'm defending myself, you're sort of defending your own actions," said Pratt. "It's like your life is being thrown at you. It's a little bit jarring." "Mercy" begins its global theatrical rollout on Thursday. Reporting by Hanna Rantala, Editing by Nick Zieminski Our Standards: The Thomson Reuters Trust Principles., opens new tab
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Mercy: Chris Pratt on being locked into an executioner's chair for new film
Being locked barefoot in an executioner's chair sounds uncomfortable, but that is what Chris Pratt requested for his latest film, Mercy. More familiar as a wisecracking action hero in blockbusters like Guardians of the Galaxy and Jurassic World, this role is quite a departure for him. He plays homicide detective Chris Raven, who's fighting for his life after being accused of murdering his wife. Raven is an alcoholic who wakes in the chair after a drinking binge, with just 90 minutes to convince an AI judge he's innocent, or he'll be executed immediately. The film is set in real time, so we see Raven defend his case - while enduring a crashing hangover. He also can't recall what happened. "I've never played a character like this before, in a genre like this," Pratt tells BBC News.
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For Chris Pratt, AI is 'an awesome tool' but needs 'safeguards'
Chris Pratt reveals how the electric chair scenes in "Mercy" pushed him into a claustrophobic and emotional headspace. A decade ago, the thought of AI being judge, jury and executioner in our legal system would have been "outlandish" to Chris Pratt. Now, with AI being such a part of the actor's life - and everyone's - the premise of his new sci-fi thriller "Mercy" feels closer to reality than not. With technology in general, Pratt is reconciling with the positives and negatives constantly. "I'm also trying to implement some safeguards around my own health and certainly to help with my children and my family around it," he says. "I feel a little differently. I don't think it's because of being in this movie. It's just being in the world." "Mercy" (in theaters now) casts Pratt as LA homicide detective Chris Raven, who champions the use of the AI-powered Mercy Court when the murder rate increases to an alarming level. If a murder suspect has a 97.5% probability of guilt, they're put on trial using this legal advancement and have to prove their innocence to a digitized judge. Raven, though, gets to see the new technology up close and personal: When he's accused of murdering his wife, the cop has 90 minutes to sift through the evidence against him - while confined to an electric chair - and find reasonable doubt for Judge Maddox (Rebecca Ferguson) or else. An AI judge "could happen tomorrow," says "Mercy" director Timur Bekmambetov. "It takes too long to make movies. In today's world, when you make a movie about the future, it's very dangerous because everything is so compressed (with) the avalanche of innovations and tragedies and geopolitical stuff. What we think will be in 10 years, it's happening today and it's scary." While Pratt was swept up more in the story than the messaging when he was making "Mercy," he acknowledges he takes a more measured approach these days when using AI. "I have used AI for many years - probably without realizing it, as we all do - but now I'm more actively choosing to use AI with the different apps," Pratt says. For him, "it's an awesome tool" for organizing his thoughts as well as for "designing chicken coops and birdhouses and putting together a shopping list." However, he is trying to be mindful of his time with it, like not endlessly scrolling through Instagram Reels. "That algorithm knows exactly how to capture my attention, just like everybody, which is essentially appeal to my righteousness and make me angry," Pratt says. "That's what everybody's doing on theirs: 'I knew I was right!' Confirming whatever bias I have, and it understands that I have, because it learns everything about me by the things that I search, the things that I'm taking an extra second to look at."
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Chris Pratt steps into a darker sci-fi world with 'Mercy'
Chris Pratt in 'Mercy': Mercy centers on homicide detective Chris Raven, who awakens strapped into an executioner's chair with no memory of the night his wife was murdered. Judged by an AI system, he is granted ninety minutes to prove his innocence before execution. The movie delves into justice without juries, the challenges of automated punishment, and how shallow, intense and constant monitoring increase fear. Chris Pratt is taking a bold step away from his well-known, charismatic screen persona with his latest movie, Mercy. Popular mainly for humorous and action-driven characters, the actor adopts a darker and more psychologically demanding role in this intense science-fiction thriller that delves into justice, memory, and artificial intelligence. In Mercy, Pratt features Chris Raven, a homicide detective who wakes up restrained in an executioner's chair,confused, suffering from a hangover, and confronting a terrifying accusation, the murder of his wife. With no memory of how he came to this moment, Raven is granted just 90 minutes to prove his innocence before an AI-controlled justice system offers its verdict. The story reveals in real time, elevating tension as Raven battles against both the clock and a system made to be rapid, cold, and unforgiving. This role represents a striking transformation for Pratt. Raven is intensely flawed, emotionally broken, and struggling with alcoholism, a drastic contrast to the actor's earlier lighthearted and heroic roles. Reflecting on the challenge, Pratt openly stated , "I've never played a character like this before," showing his hope that audiences will watch a new side of his acting. Overseeing Raven's fate is AI Judge Maddox, featured by Rebecca Ferguson. The movie presents a disturbing picture of a surveillance-driven society where artificial intelligence controls the courtroom. In this world, justice is brutally efficient, with statistics indicating that 92% of trials conclude in immediate execution. Pratt explained the theme with chilling simplicity: "Commit a crime today, you'll be dead tomorrow." Q1. What genre is Mercy? Mercy is a science fiction thriller movie with strong psychological and ethical factors. It concentrates on suspense rather than traditional action. Q2. Who does Chris Pratt play in the film? Chris Pratt features Chris Raven, a homicide detective accused of murdering his wife. The character must prove his innocence under extreme strain. (You can now subscribe to our Economic Times WhatsApp channel)
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Chris Pratt departs from his action-hero persona in Mercy, playing homicide detective Chris Raven who wakes strapped to an executioner's chair, accused of murdering his wife. With 90 minutes to prove his innocence to an AI judge in a surveillance-driven society, the film explores how our digital footprints could be weaponized against us in a future where artificial intelligence controls the courtroom.
Chris Pratt is stepping away from his signature wisecracking action-hero roles to tackle something far more unsettling in Mercy, a science fiction thriller that imagines a near future where artificial intelligence has seized control of the justice system
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. The actor plays Chris Raven, a homicide detective who wakes up shackled to an executioner's chair, accused of murder and facing immediate execution unless he can prove his innocence within 90 minutes2
. "I've never played a character like this before, in a genre like this," Pratt revealed, acknowledging the dramatic departure from his familiar blockbuster territory2
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Source: USA Today
Set in a violence-ridden Los Angeles in 2029, Mercy presents a chilling vision of a surveillance-driven society where the AI-powered justice system has flipped the presumption of innocence on its head
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. When a murder suspect has a 97.5% probability of guilt, they're thrust into the Mercy Court to face Judge Maddox, an artificial intelligence entity portrayed by Rebecca Ferguson3
. The statistics are brutal: 92% of trials conclude in immediate execution4
. As Pratt explained the premise with chilling simplicity: "Commit a crime today, you'll be dead tomorrow"4
.Directed by Timur Bekmambetov in his signature screenlife style, much of the film's action unfolds across digital displays as Maddox and Raven scour through social media accounts, surveillance feeds, police body cameras, doorbell recorders, and databases
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. Maddox has access to the city's cloud, to which all citizens are legally obligated to connect their devices, creating a comprehensive digital archive of every action1
. This immersive experience forces audiences to confront their own digital privacy and accountability. "They're going to probably be thinking, 'I've etched each of my actions in digital stone over the past 12-15 years,'" Pratt noted1
.What makes Mercy particularly unsettling is how rapidly its premise is shifting from science fiction to potential reality. Director Bekmambetov warned that an AI judge "could happen tomorrow," noting that "what we think will be in 10 years, it's happening today and it's scary"
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. Pratt himself acknowledged that a decade ago, the concept would have seemed "outlandish," but now artificial intelligence has become so integrated into daily life that the film's vision feels uncomfortably plausible3
. The actor has begun implementing AI safeguards in his own life, particularly concerning his children and family, while recognizing both the benefits and dangers of manipulative algorithms3
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To authentically portray the claustrophobic terror of being confined to an executioner's chair, Pratt requested to be actually strapped in during takes. "I found it helpful because I truly felt I could fight against it, and felt even more claustrophobic," he explained
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. The role demanded he play an alcoholic homicide detective suffering from memory loss, waking from a drinking binge with no recollection of the night his wife was murdered2
. Meanwhile, Rebecca Ferguson faced her own unique challenge: portraying Maddox as a motionless AI entity that mimics human emotions. Bekmambetov gave her a chart of emotions and instructed her to "smile at the oddest moment," forcing her to convey humanity through subtle shifts "behind the eyes"1
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Source: BBC
Mercy arrives at a critical moment when conversations about artificial intelligence governance, automated decision-making, and digital surveillance have moved from theoretical to urgent. The film challenges viewers to consider what happens when efficiency trumps human judgment, when algorithms replace accountability, and when our entire digital history can be weaponized against us. As Pratt noted, audiences will find themselves "on the same journey" as his character, essentially "defending your own actions" as years of digital footprints flash before their eyes
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. The film began its global theatrical rollout on January 20, inviting audiences to experience this jarring vision of a future that may be closer than we think1
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