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Chinese microdrama creators turn to AI despite job loss concerns
Shanghai (AFP) - Ultra-short video series "Strange Mirror of Mountains and Seas" is filled with dragon-like monsters, handsome protagonists and plenty of melodrama -- almost all of it, including the lifelike human characters, created by artificial intelligence. With over 50 million views, it is one of a growing number of AI-generated "microdramas", soap opera-like series with episodes as short as 30 seconds, that are taking China by storm. Microdrama production companies are increasingly harnessing AI to replace actors and screenwriters with algorithms, raising concerns about job losses and copyright infringement that have riled creative industries globally. Chen Kun, the creator of "Strange Mirror of Mountains and Seas", told AFP microdramas are ideal candidates for AI disruption because viewers -- typically watching on phone screens while commuting or at work -- tend to miss visual discrepancies created by the still-fledgling technology. "Even if AI can't achieve the production values of traditional filmmaking today, it can meet the needs of microdramas as a first step," said Chen. Chinese audiences are lapping them up. "Nine-tailed Fox Demon Falls in Love with Me", an AI microdrama with fever dream-like visuals and a nonsensical plot, went viral recently. "If you're just watching without using your brain, you can ignore some illogical details in the visuals," a fan of the show told AFP on video app Douyin, providing only the username "Tiger Mum". Chen used various AI platforms for his series, including ChatGPT for the screenplay, Midjourney to generate still images, China's Kling to turn images into video, and Suno for the soundtrack. 'Wow factor' AI "is so accessible, it lowers the cost of production so much, it makes everything so much faster," said Odet Abadia, a teacher at the Shanghai Vancouver Film School. When AFP visited recently, she was showing students how to use AI tools at virtually every stage of the filmmaking process. Students typed prompts into Dzine, an AI image editing platform, which seconds later displayed images of polar bears and arctic explorers for use in a nature documentary storyboard. "(AI is) another way of storytelling," Abadia said. "You can get a wow factor, a lot of crazy things, especially in short dramas." She showed AFP a virtual production assistant she had designed using tech giant Alibaba's Qwen software. In just seconds, it generated a plot outline about a wedding photographer unwittingly embroiled in a criminal conspiracy. Abadia said her students needed to face up to a future where film and TV jobs will all require AI use. However, the school still encourages aspiring filmmakers to "go and shoot with humans and actors and equipment, because we want to support the industry". 'Realistic and cheap' In Hollywood, studios' use of AI was a major sticking point during writers' and actors' strikes in 2023. The launch of AI "actress" Tilly Norwood then sparked a fierce backlash this year. "When AI first emerged, people in the film industry were saying this would spell the end for us... the products were so realistic and cheap," said Louis Liu, a member of a live-action microdrama crew shooting scenes at a sprawling Shanghai studio complex. The 27-year-old said there had already been an impact -- AI software has replaced most artists producing "concept images" that define the look of a film in its earliest stages. "Strange Mirror" creator Chen said he was optimistic new jobs would emerge, especially "prompt engineer" roles that write instructions for generative software. Artists globally have also raised concerns about copyright infringement, stemming from the material AI models are trained on. Chen told AFP the creators of large language models should compensate the owners of works included in their data sets, though he argued the matter was out of the hands of secondary users like his company. Even AI-generated content can be vulnerable to old-fashioned plagiarism -- Chen is involved in a legal battle with a social media account he alleges stole elements from his series' trailer. "Everything we describe (in prompts) stems from our own imagination -- whether it's the appearance of a person or a monster, these are entirely original creations."
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Chinese microdrama creators turn to AI despite job loss concerns
AI-made microdramas like China's hit Strange Mirror of Mountains and Seas are reshaping entertainment, using tools such as ChatGPT and Midjourney to create actors, scripts and visuals. Cheap, fast and wildly popular, they spark debate over creativity, copyright and job losses as filmmakers adapt to an AI-driven storytelling future. Ultra-short video series "Strange Mirror of Mountains and Seas" is filled with dragon-like monsters, handsome protagonists and plenty of melodrama -- almost all of it, including the lifelike human characters, created by artificial intelligence. With over 50 million views, it is one of a growing number of AI-generated "microdramas", soap opera-like series with episodes as short as 30 seconds, that are taking China by storm. Microdrama production companies are increasingly harnessing AI to replace actors and screenwriters with algorithms, raising concerns about job losses and copyright infringement that have riled creative industries globally. Chen Kun, the creator of "Strange Mirror of Mountains and Seas", told AFP microdramas are ideal candidates for AI disruption because viewers -- typically watching on phone screens while commuting or at work -- tend to miss visual discrepancies created by the still-fledgling technology. "Even if AI can't achieve the production values of traditional filmmaking today, it can meet the needs of microdramas as a first step," said Chen. Chinese audiences are lapping them up. "Nine-tailed Fox Demon Falls in Love with Me", an AI microdrama with fever dream-like visuals and a nonsensical plot, went viral recently. "If you're just watching without using your brain, you can ignore some illogical details in the visuals," a fan of the show told AFP on video app Douyin, providing only the username "Tiger Mum". Chen used various AI platforms for his series, including ChatGPT for the screenplay, Midjourney to generate still images, China's Kling to turn images into video, and Suno for the soundtrack. Onlythe editing and voice acting were done by humans. "Many special effects can be created (using AI), though there are indeed issues like stiff character expressions,"a "Strange Mirror" fan who did not provide their name told AFP on broadcast platform Kuaishou, adding they had noticed "significant progress" in the technology compared to a year ago. 'Wow factor' AI "is so accessible, it lowers the cost of production so much, it makes everything so much faster," said Odet Abadia, a teacher at the Shanghai Vancouver Film School. When AFP visited recently, she was showing students how to use AI tools at virtually every stage of the filmmaking process. Students typed prompts into Dzine, an AI image editing platform, which seconds later displayed images of polar bears and arctic explorers for use in a nature documentary storyboard. Some generated results were more fantastical than realistic, depicting mysterious tiny people at explorers' feet. "(AI is) another way of storytelling," Abadia said. "You can get a wow factor, a lot of crazy things, especially in short dramas." She showed AFP a virtual production assistant she had designed using tech giant Alibaba's Qwen software. In just seconds, it generated a plot outline about a wedding photographer unwittingly embroiled in a criminal conspiracy. Abadia said her students needed to face up to a future where film and TV jobs will all require AI use. However, the school still encourages aspiring filmmakers to "go and shoot with humans and actors and equipment, because we want to support the industry". 'Realistic and cheap' In Hollywood, studios' use of AI was a major sticking point during writers' and actors' strikes in 2023. The launch of AI "actress" Tilly Norwood then sparked a fierce backlash this year. "When AI first emerged, people in the film industry were saying this would spell the end for us... the products were so realistic and cheap," said Louis Liu, a member of a live-action microdrama crew shooting scenes at a sprawling Shanghai studio complex. The 27-year-old said there had already been an impact -- AI software has replaced most artists producing "concept images" that define the look of a film in its earliest stages. "Strange Mirror" creator Chen said he was optimistic new jobs would emerge, especially "prompt engineer" roles that write instructions for generative software. Artists globally have also raised concerns about copyright infringement, stemming from the material AI models are trained on. Chen told AFP the creators of large language models should compensate the owners of works included in their data sets, though he argued the matter was out of the hands of secondary users like his company. Even AI-generated content can be vulnerable to old-fashioned plagiarism -- Chen is involved in a legal battle with a social media account he alleges stole elements from his series' trailer. But he rejected the notion using AIwas inherently unoriginal. "Everything we describe (in prompts) stems from our own imagination -- whether it's the appearance of a person or a monster, these are entirely original creations."
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Chinese creators are embracing AI tools to produce ultra-short video series, replacing traditional actors and screenwriters with algorithms. While these AI-generated microdramas gain massive popularity with millions of views, they raise significant concerns about job displacement and copyright issues in the creative industry.
China's entertainment landscape is experiencing a dramatic transformation as artificial intelligence takes center stage in the production of ultra-short video series known as microdramas. The phenomenon is exemplified by "Strange Mirror of Mountains and Seas," an AI-generated series featuring dragon-like monsters, handsome protagonists, and melodramatic storylines that has garnered over 50 million views
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Source: France 24
These soap opera-like productions, with episodes as short as 30 seconds, are specifically designed for mobile consumption, targeting viewers who watch on phone screens during commutes or work breaks. The format's brevity and viewing context make it particularly suitable for AI-generated content, as audiences are more likely to overlook visual discrepancies that current AI technology still produces
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.Creator Chen Kun has pioneered a comprehensive AI-driven production process for his series, utilizing multiple platforms to create nearly every aspect of the show. The production workflow includes ChatGPT for screenplay writing, Midjourney for generating still images, China's Kling platform to convert images into video sequences, and Suno for soundtrack creation. Only editing and voice acting remain human-controlled elements in this largely automated process
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.The accessibility and cost-effectiveness of AI tools have democratized content creation in ways previously unimaginable. As Odet Abadia, a teacher at Shanghai Vancouver Film School, explains, AI "lowers the cost of production so much, it makes everything so much faster." Her students are learning to integrate AI tools at virtually every stage of filmmaking, from generating storyboard images to creating plot outlines using Alibaba's Qwen software
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.The rapid adoption of AI in microdrama production has already begun displacing traditional creative roles. Louis Liu, a member of a live-action microdrama crew, reports that AI software has replaced most artists who previously created concept images that define a film's visual style in its earliest stages. This shift mirrors broader concerns that emerged during Hollywood's 2023 writers' and actors' strikes, where AI usage became a major point of contention
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.Despite these concerns, some industry figures remain optimistic about the future. Chen Kun believes new job categories will emerge, particularly "prompt engineer" roles that specialize in writing instructions for generative AI software. However, educational institutions are taking a balanced approach, with Shanghai Vancouver Film School encouraging students to work with human actors and traditional equipment while also preparing them for an AI-integrated future
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The rise of AI-generated content has sparked significant debates about copyright infringement and creative authenticity. Artists globally have raised concerns about AI models being trained on copyrighted material without compensation to original creators. Chen acknowledges these concerns, suggesting that creators of large language models should compensate owners of works included in their training datasets, though he argues this responsibility lies beyond secondary users like his production company
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.Interestingly, even AI-generated content faces traditional plagiarism challenges. Chen is currently involved in legal proceedings against a social media account he alleges stole elements from his series' trailer, demonstrating that intellectual property issues persist regardless of the creation method
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