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'The Wizard of Oz' at the Sphere Has a Shocking 2-Second Cameo: David Zaslav
The classic's larger-than-life cinematic engagement opens this week on the famed Las Vegas Strip. The Sphere's version of The Wizard of Oz has already drawn controversy over its use of AI. Now we know another unsettling element has been introduced into the Hollywood classic: a likeness of Warner Bros. Discovery CEO and president David Zaslav. No, really: the exec, along with the Sphere's executive chairman and CEO, James Dolan, will be superimposed on the faces of uncredited background characters in what are apparently blink-and-you'll-miss-them appearances. The stunt is to celebrate the movie's monumental screening series at the Sphere in Las Vegas. Dolan announced the surprise AI cameos at a special walkthrough of the experience. “I won’t tell you where, it’s only for like two seconds,†he disclosed, according to the Hollywood Reporter. “[They] replaced the faces of two very short, two-second characters in the movie with mine and [David’s]. I challenge you to find it.†Now whether they'll depict Munchkins or flying monkeys (or some other characters entirely) is something you'll have to discover for yourself if you plan on seeing the MGM classic (now owned by Warner Bros.) in Las Vegas. The Sphere used AI to augment The Wizard of Oz to fit its unconventionally sized and shaped screen, hoping it will attract tourists despite the discourse surrounding the tech. “I think [with] the controversy around AI replacing humans through technology, we ended up employing more artists on this project than I think Hollywood has employed in previous years, just to continue this journey,†shared the Sphere's visual effects specialist Ben Grossmann in defense of its use to showcase the film to audiences in a new way.
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James Dolan and David Zaslav Appear as "Two-Second Characters" in the Sphere's 'Wizard of Oz'
The Wizard of Oz makes its groundbreaking debut at Las Vegas' Sphere on Thursday night, and just before showtime, James Dolan is dropping quite the easter egg. The Sphere Entertainment Co. executive chairman and CEO took part in a walkthrough of the experience with select press -- alongside Sphere president and chief operating officer Jennifer Koester and visual effects specialist Ben Grossmann -- and revealed that there is one specific A.I.-assisted change to keep an eye out for. "I won't tell you where, it's only for like two seconds," as he asked reporters if they were familiar with Warner Bros. Discovery head David Zaslav. After an affirmative, he said, "[They] replaced the faces of two very short, two-second characters in the movie with mine and David. I challenge you to find it." Grossmann was quick to chime in that "they were uncredited characters who were too blurry to be identified, and have now been enhanced to be identified." (Warner Bros. owns the rights to The Wizard of Oz film). It adds buzz to the Sphere's already buzzing new attraction, which features an immersive adaptation of the classic film -- like when that tornado hits Kansas, attendees will have wind whipping at their face, leaves flying in front of them and bolts of lightning puncturing the fog. It has also used A.I. to adapt the film to the Sphere's massive screen, which the execs discussed heavily during the preview. Grossmann explained, "We had a choice. We could either hire modern artists to reanimate those performances by hand, which we felt would destroy the integrity of the original performance," or embrace "a new technology that allows you to train on things that existed before it, so that it can reproduce those things accurately. And then we tested it for two years to make sure that if we used A.I., we would actually have more integrity to the original performances than if we didn't, because the only other alternatives were computer graphics that would be humans manipulating the performance." "We actually found that that gave us more integrity to the original because when we would complete a missing character or an elbow or something that's off," he continued. "It knew what Judy Garland's eyelashes looked like on that day in that scene, when she was performing, for detail and filling all of those things that were missing." And for those who bristle at A.I. being used on the 1939 film, Grossmann noted that "the original work of art continues to exist" in many other places. "We've adapted it into a new medium, and we've done it with what we believe is a high degree of authenticity and integrity to the original performance," he said. "We've stayed in touch with their descendants. We've been in contact with the I.P. holders, we've licensed all the material appropriately, we made sure that the A.I. models, which can be controversial, are fine tuned specifically and exclusively on the original material. So we've done all the things that people have been concerned about doing right and no one has done before." Dolan added that he doesn't "really think that it's a fair criticism" over the use of A.I. and wants people to see the movie before they cast judgement. Grossmann responded, "I think [with] the controversy around A.I. replacing humans through technology, we ended up employing more artists on this project than I think Hollywood has employed in previous years, just to continue this journey," working with more than 1,000 artists throughout the process. Dolan -- who said he plans to screen the film for the next decade at Sphere venues around the world -- also took the moment to admit, "We went way over the budget. What we were originally thinking, we ended up almost two times what we were originally thinking. We're getting up pretty close to that $100 million mark -- it was worth it."
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James Dolan makes cameo in Sphere version of 'Wizard of Oz' - and...
Billionaire Knicks owner James Dolan gave himself a cameo in the re-mastered version "The Wizard of Oz" that is being shown at his state-of-the-art music venue the Sphere in Las Vegas. Eagle-eyed fans who shell out over $100 for a ticket to the Oscar-winning classic might spot two, new curious characters - featuring the faces of Dolan and Warner Bros. boss David Zaslav -- that have been digitally superimposed on a pair of munchkins. "I won't tell you where, it's only for like two seconds," Dolan told the media of the Easter eggs during Thursday's premiere at the Sphere. "[They] replaced the faces of two very short, two-second characters in the movie with mine and David. I challenge you to find it." Dolan - who also owns the Rangers and Madison Square Garden - even donned the green top hat worn by the Wizard of Oz and was decked out in green and gold as he turned Sin City into Emerald City. When guests enter into the Sphere's Las Vegas Atrium, they are immediately immersed into Dorothy's world - with a Kansas-themed, sepia-tone space complete with a full-scale replica of Professor Marvel's caravan. After the show, the Atrium is transformed into the Emerald City - where guests can speak with the Wizard, who waits behind a tall curtain. Moviegoers eager for a photo-op got an added surprise Thursday. Dolan, lounging on a green throne and holding a tall staff, greeted them. Sphere Studios collaborated with Warner Bros. Discovery, Google and software firm Magnopus on the immersive project. Other 4D special effects include high-powered fans and fog that create a tornado effect and audience members getting pelted with foam apples. While Judy Garland's voice is still in the film, the Sphere has re-recorded the instrumentals on the same soundstage used for the original 1939 movie. Dolan admitted that using Google's AI tech to fit the film on the Sphere's 160 square-foot display "went way over budget." "We ended up almost two times what we were originally thinking. We're getting up pretty close to that $100 million mark -- it was worth it," he said.
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The Sphere in Las Vegas unveils an AI-enhanced version of 'The Wizard of Oz', featuring unexpected cameos and sparking discussions about AI use in classic films.
The iconic MGM classic 'The Wizard of Oz' has been given a high-tech makeover for its debut at the Sphere in Las Vegas. This groundbreaking cinematic engagement, which opened this week, has sparked both excitement and controversy due to its innovative use of artificial intelligence (AI) technology 12.
Source: The Hollywood Reporter
In a surprising twist, Sphere Entertainment Co.'s executive chairman and CEO James Dolan revealed that he and Warner Bros. Discovery CEO David Zaslav make brief cameo appearances in the film. Their likenesses have been superimposed onto uncredited background characters for about two seconds, challenging viewers to spot them 12. This unexpected addition adds a modern touch to the 1939 classic and highlights the capabilities of AI in film adaptation.
The Sphere's version of 'The Wizard of Oz' goes beyond traditional screenings by offering a fully immersive 4D experience. Viewers will feel wind on their faces during the tornado scene, see lightning bolts puncturing the fog, and even get pelted with foam apples 3. The film has been adapted to fit the Sphere's massive 160 square-foot display using AI technology, which has been a point of both innovation and contention 2.
The use of AI in adapting this beloved classic has not been without criticism. However, the Sphere's visual effects specialist, Ben Grossmann, defended the decision, stating that it allowed for a more authentic reproduction of the original performances. He emphasized that the AI models were fine-tuned specifically on the original material and that proper licensing and permissions were obtained 2.
Source: New York Post
Despite concerns about AI replacing human workers, Grossmann revealed that the project employed more than 1,000 artists, potentially surpassing recent Hollywood productions in terms of artist involvement 12. James Dolan admitted that the project significantly exceeded its initial budget, approaching the $100 million mark, but maintained that the investment was worthwhile 23.
Dolan expressed intentions to screen this AI-enhanced version of 'The Wizard of Oz' at Sphere venues worldwide over the next decade, indicating a long-term commitment to this innovative approach to classic film presentation 2. This ambitious plan suggests a potential shift in how classic films may be experienced in the future, blending nostalgia with cutting-edge technology.
As 'The Wizard of Oz' embarks on its new journey at the Sphere, it represents a significant moment in the intersection of classic cinema, modern technology, and immersive entertainment. The project's success or failure could have far-reaching implications for the future of film preservation, adaptation, and exhibition in an increasingly digital age.
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