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AI isn't genius. We are.
The growth of artificial intelligence (AI) has been a source of worry for many, even those who champion the use of technology. Proponents fear that AI will stop us from being our best selves by snuffing out creativity. But fear that culture will be made obsolete by AI is not an overestimation of
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Opinion | A.I. Isn't Genius. We Are.
Mr. Beha, a novelist and memoirist, has written about books and writers for The New York Times. Since the release of ChatGPT to the public two years ago, we have been awash in extreme claims about the potential benefits and threats of large language models and generative A.I. Boosters and critics
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An exploration of the relationship between AI and human creativity, challenging the notion that AI will surpass human ingenuity and arguing for a reevaluation of our understanding of human potential.

Since the public release of ChatGPT two years ago, the world has been inundated with extreme claims about the potential of large language models and generative AI. Proponents have argued that AI will free humans from mental drudgery, while critics fear job losses and the erosion of human exceptionalism
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. However, recent developments suggest that the initial fervor surrounding AI may be subsiding, with even its champions acknowledging possible overhype.The article argues against the fundamental worry that AI might one day exhibit or exceed human-like creative power. This concern, it suggests, stems not from an overestimation of technology but from a "radical underestimation of humanity"
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. The author contends that the obsolescence of human culture due to AI is highly unlikely.The skepticism about human creativity predates AI, tracing back to academic movements of the 1960s and '70s. Postmodern critical theorists sought to deconstruct ideals of human creativity, treating it as a product of impersonal forces rather than individual genius
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.Interestingly, the effort to challenge the concept of human creativity found support from an unexpected quarter: neo-Darwinist scientific materialism. Despite their general hostility towards each other, both movements converged on a view that diminishes individual human agency in cultural production
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.Richard Dawkins' concept of memes – self-replicating units of cultural meaning – further reinforced the idea that culture dictates human action more than individuals shape culture. This perspective aligns surprisingly well with critical theorists' views on creativity
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The field of cognitive science has contributed to this debate by describing human brains as information-processing algorithms, potentially undermining notions of subjective experience and individual agency in creative processes
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.The article argues that these academic perspectives have had a profound impact on contemporary culture. It points to a perceived lack of originality in various cultural domains, from Hollywood's reliance on reboots to literature's focus on autofiction and revisionist retellings
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.In light of AI's advancements, the author suggests that it's time to reassess our understanding of human potential. Rather than fearing AI's creative capabilities, we should recognize and cultivate the unique aspects of human creativity that AI cannot replicate
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.This perspective challenges both the hype surrounding AI and the long-standing academic skepticism about human creativity, calling for a renewed appreciation of human ingenuity in the face of technological advancement.
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