2 Sources
2 Sources
[1]
2026 Grammys on the Hill takes aim at AI, honors Coons and Salazar
Sen. Chris Coons (D-Del.) and Rep. Maria Elvira Salazar (R-Fla.) were honored on Tuesday for their work in protecting musical artists during the Grammys on the Hill awards ceremony, an annual event that focused on the impact of artificial intelligence (AI) in the music community. Lawmakers like Rep. Michael McCaul (R-Texas) and Rep. Steny Hoyer (D-Md.), as well as Grammy-nominated artists and award winners, songwriters, producers and DJs attended Tuesday night's event hosted by the Recording Academy. Rep. Nancy Pelosi (D-Calif.) was also in attendance. The event in Washington opened with a performance by six-time Grammy-nominated blues-rock guitarist Kenny Wayne Shepherd, who played the national anthem. During the event, which marked its 25th anniversary, Coons told the audience that as he's traveled the world over decades, he's seen "how our music, really your music, helps inspire and uplift the world, helps to inspire people's spirits, helps them to understand the American story, and helps them to remain connected around the world." Coons is sponsoring the No Fakes Act, bipartisan legislation that would hold individuals and companies liable for using AI to produce or share unauthorized digital replicas of a person's voice or likeness without their consent. He told The Hill that protecting musicians is important to him because he has a stepbrother who is a songwriter, singer and a guitarist in a rock band. "So, I've had a ringside seat to what it means to have his singing, his writing, pirated," he told The Hill. The night had up-tempo sounds from guitars, pianos and drums that had the audience swaying in their seats. D.C.-region native singer-songwriter Maggie Rose and singer-songwriter Grace Potter performed the song "Poison In My Well." As Salazar accepted her award, the Little Havana, Miami-born native said, "I was going to read the prompter, but I've decided not to, because when you speak from the heart, you cannot be reading." She said her constituents include Shakira, Pitbull and Gloria Estefan, in addition to hundreds of other artists who deserve to be protected and respected. "That's the reason why we're here," she said During her speech, Salazar said she jokingly told her deputy chief of staff that "this room is full of very important, talented artists. And all we talk about is immigration, tariffs, Iran, you know. So, this is really a fresh air that we are here tonight, and that we are surrounded by people that create something different than legislation on tariffs." Salazar is also sponsoring the House's version of the No Fakes Act and previously sponsored the Take It Down Act, which was signed into law last year and protects individuals from nonconsensual AI generated images and content. The senate version of the No Fakes Act is introduced by Coons and Sens. Marsha Blackburn (R-Tenn.), Thom Tillis (R-N.C.), and Amy Klobuchar (D-Minn.). "And the reality is that I believe I didn't really do anything. I only did my job," Salazar said about her award, adding that her job is not only to protect business owners and those involved in immigration and the private sector but to protect artists against AI. Johnaye Kendrick, a member of the three-time grammy award winning vocal supergroup, säje, told The Hill that she's also a music professor, and even in academia, students are utilizing AI to write their music, which affects the art they are creating and is "simplifying everything that we work so hard for them to develop." "To be an artist is such a beautiful blessing, and to have an opportunity to express ourselves in this way, it's just a sacred experience," Kendrick said. "And bringing AI into the mix kind of sucks all of the life and the thing that makes it special, and the soul of music."
[2]
'It's not just stardust.' Musicians warn AI could erase artists' livelihoods
Bad Bunny made history at the 2026 Grammys by winning Album of the Year. His is the first fully Spanish album to take home the award. WASHINGTON - Whether it's Taylor Hanson, Maggie Rose or Grace Potter, their message is clear: the entertainment industry needs to value intellectual property and approach artificial intelligence with caution. The three musicians were among the advocates at this year's annual Grammys on the Hill, which pairs the music industry with Congress to champion artists' rights. "This is well beyond music," Hanson said on the red carpet. "It's people's likeness. It's creativity. If you're a video designer, if you're a painter, if you're a programmer, if you're an actor, if you're anyone, if you're walking down the street ... we want a future that values people's intellectual property." Potter sees value in the curiosity attached to using AI, but cautions "it's really what we do with it." She hopes for "a future in which everybody is protected and in which we can honor and use the incredible technology and development that's pushed us forward while also acknowledging the fact that it came from somewhere. It's not just stardust." While there is usually a signature honoree at the event, the Recording Academy opted to highlight the broader impact of the policy-driven arm of the organization for its 25 meeting, held April 21 at The Hamilton in D.C. During the 90-minute gathering, Sen. Chris Coons (D-DE) and Rep. MarÃa Salazar (R-FL) were recognized as Congressional Honorees for their efforts crafting the NO FAKES Act (Nurture Originals, Foster Art and Keep Entertainment Safe Act). The bipartisan bill was introduced in 2024 by Salazar, as well as senators Coons, Marsha Blackburn (R-Tennessee), Amy Klobuchar (D-Minnesota) and Thom Tillis (R-North Carolina) and revised last year. It has still not been passed into law. "My job is to protect, not only business owners or the private sector, but to protect those who need protection, the artists," Salazar said. "If all you have is your voice, your likeness, your face and someone can steal it in a moment, you need protection. It's how you pay your rent, how you make a living. Music has no political parties." Among the members of Congress in attendance were Nancy Pelosi (D-California), Michael McCaul (R-Texas), Linda Sanchez (D-California), Steny Hoyer (D-Maryland) and former Senator Patrick Leahy (D-Vermont). Along with the messages being spoken, musical performances dotted the night. Rose and Potter joined for the roots rocker "Poison My Well" - Rose armed with a guitar and tinted glasses, Potter sleek in black and silver sparkly heels - which inspired a crowd clap-along of the Grammy-nominated song. Molly Tuttle displayed impressive fretwork on her acoustic for the bluegrass jam "San Joaquin" while Cordae sat on a stool and loosely rapped through the slinky "Lord is Coming," which he featured on with H.E.R. in 2018, and "Bad Idea." "This is a much livelier crowd than I was anticipating," he joked. The closing sentiment, before a joyous performance of "You Are Good" from Israel Houghton, came from Recording Academy CEO Harvey Mason jr. "Music is a force. It heals. We celebrate with it in ways like nothing else that can bring us together," he said. "We're in a time where there is so much division and uncertainty. There are voices that encourage mistrust and breed fear, but music cuts through all of that and reminds us of our shared humanity."
Share
Share
Copy Link
Sen. Chris Coons and Rep. Maria Elvira Salazar received recognition at the 25th anniversary Grammys on the Hill for championing the No Fakes Act, bipartisan legislation targeting unauthorized AI use in music. Musicians including Grace Potter and Taylor Hanson warned that artificial intelligence threatens not just music, but all creative livelihoods and intellectual property rights.

The Recording Academy's 25th annual Grammys on the Hill event brought together lawmakers, Grammy-nominated artists, and music industry advocates to address the impact of artificial intelligence on the music community. Held on April 21 at The Hamilton in Washington, D.C., the gathering honored Sen. Chris Coons (D-Del.) and Rep. Maria Elvira Salazar (R-Fla.) as Congressional Honorees for their work in protecting musical artists through legislative efforts
1
. The event drew prominent attendees including Rep. Nancy Pelosi (D-Calif.), Rep. Michael McCaul (R-Texas), and Rep. Steny Hoyer (D-Md.), alongside performances from musicians like six-time Grammy-nominated blues-rock guitarist Kenny Wayne Shepherd, who opened with the national anthem1
.Both Coons and Salazar are sponsoring versions of the No Fakes Act, bipartisan legislation introduced in 2024 and revised in 2025 that would hold individuals and companies liable for using AI to produce or share unauthorized digital replicas of a person's voice or likeness without their consent
1
. The legislation, whose full name stands for Nurture Originals, Foster Art and Keep Entertainment Safe Act, was co-introduced by Sens. Marsha Blackburn (R-Tenn.), Thom Tillis (R-N.C.), and Amy Klobuchar (D-Minn.) but has not yet been passed into law2
. Salazar previously sponsored the Take It Down Act, which was signed into law last year and protects individuals from nonconsensual AI-generated images and content1
.Taylor Hanson emphasized the broader implications beyond music, stating, "It's people's likeness. It's creativity. If you're a video designer, if you're a painter, if you're a programmer, if you're an actor, if you're anyone... we want a future that values people's intellectual property"
2
. Grace Potter acknowledged the potential of AI technology while cautioning about its application, hoping for "a future in which everybody is protected" and emphasizing that creative work "came from somewhere. It's not just stardust"2
. Johnaye Kendrick, a member of three-time Grammy award-winning vocal group säje, shared concerns about students using AI to write music in academia, noting it "sucks all of the life and the thing that makes it special, and the soul of music"1
.Related Stories
Salazar, whose Miami constituents include Shakira, Pitbull, and Gloria Estefan, emphasized during her acceptance speech that "my job is to protect, not only business owners or the private sector, but to protect those who need protection, the artists." She added, "If all you have is your voice, your likeness, your face and someone can steal it in a moment, you need protection. It's how you pay your rent, how you make a living. Music has no political parties"
2
. Coons told The Hill that his personal connection to the issue stems from having a stepbrother who is a songwriter and guitarist, giving him "a ringside seat to what it means to have his singing, his writing, pirated"1
. The evening featured performances from Maggie Rose and Grace Potter, who performed the Grammy-nominated song "Poison In My Well," along with Molly Tuttle and Cordae2
. Recording Academy CEO Harvey Mason jr. closed the event by emphasizing music's unifying power during times of division, stating that music "cuts through all of that and reminds us of our shared humanity"2
. As creators across industries face the challenge of AI technologies that can replicate likeness and voice without consent, the push for legislation protecting artists' rights signals a critical moment for defining how artificial intelligence will coexist with human creativity in the music community and beyond.Summarized by
Navi
08 Nov 2025•Entertainment and Society

22 May 2025•Policy and Regulation

07 Apr 2025•Technology

1
Technology

2
Science and Research

3
Technology
