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This invisible technique poisons songs so AI can't clone them
My Music My Choice alters songs so they sound normal to fans but become unusable nonsense when fed into generative AI systems. Last year, AI clones of Bad Bunny and Drake flooded streaming platforms. Listeners couldn't tell the real tracks from synthetic soundalikes. The music industry has been
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Deepfake Songs Are Exploding. This Tool Shuts Them Down. | Newswise
Newswise -- Artificial intelligence models can now clone a voice with just a few seconds of audio, fueling a surge of deepfake songs online and creating a growing crisis for musicians who don't want their voices hijacked. Beyond the obvious intellectual property rights issue, this can lead to lost
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Researchers at Binghamton University and Cauth AI developed My Music My Choice, a digital safeguard that adds imperceptible changes to a song's waveform. The invisible audio technique lets artists protect their recordings before release—tracks sound normal to fans but become unusable when fed into AI voice cloning systems. Tested on 150 tracks, the tool addresses the surge of deepfake songs and copyright infringement that flooded platforms in 2025.
A wave of AI-generated music clones swept streaming platforms in 2025, with synthetic versions of tracks by Bad Bunny and Drake becoming indistinguishable from authentic recordings
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. The surge exposed musicians to copyright infringement and identity theft while leaving fans unable to separate real performances from deepfake songs. Researchers at Binghamton University and startup Cauth AI responded by developing My Music My Choice (MMMC), a digital safeguard that empowers artists to protect their work before it reaches the public2
.The system works through audio poisoning—adding imperceptible changes to a song's waveform that human listeners cannot detect but that completely disrupt AI voice cloning models
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. When played on streaming services, protected tracks sound identical to master recordings. But when the same files are fed into cloning software, the microscopic alterations confuse the algorithm, causing it to interpret the protected vocals as an entirely different vocal track2
. Instead of replicating the artist's voice, the system produces only distorted static.Umur Aybars Ciftci, research assistant professor at Binghamton University, and Ilke Demir, CEO of Cauth AI, designed My Music My Choice to minimize impact on human listeners while maximizing disruption for machines
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. The adversarial protection against vocal cloning targets the specific ways AI models process audio. "We're trying to figure out exactly which tiny modifications to introduce so that people hear no difference at all, while AI voice-cloning systems are thrown off," Ciftci explained2
.Artists can apply this protection during production and release recordings with confidence that preventing AI replication of an artist's vocal track will succeed from the start
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. The approach differs fundamentally from existing copyright tools that attempt to catch fakes after they appear online. By poisoning recordings before distribution, musicians gain control over how generative AI systems interact with their work.The research team tested the tool on 150 music tracks spanning multiple genres, demonstrating its versatility across different musical styles
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. They plan to scale up testing with larger data samples and compare My Music My Choice with similar methods, though Ciftci acknowledged that few alternatives currently exist in this space2
.The urgency stems from real-world consequences musicians faced throughout 2025. "People are using voice cloning for fun but also for nefarious purposes," Ciftci said, describing how bad actors grab someone's voice and make them sing things they never would
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. Beyond intellectual property rights violations, artists experienced emotional tolls and lost revenue as their identities were borrowed without permission2
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The research, titled "My Music My Choice: Adversarial Protection Against Vocal Cloning in Songs," was presented at the 39th Conference on Neural Information Processing Systems (NeurIPS 2025) Workshop: AI for Music
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. Binghamton students Gerald Pena Vargas, Alicia Unterreiner and David Ponce contributed to the work2
.Collaboration between academic researchers and Cauth AI provides insight into front-line industry challenges, bridging the gap between laboratory concepts and industrial-scale impact
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. As the team continues wider testing and refinement, the message for musicians remains clear: protection against AI cloning now arrives before the clone appears, not after copyright chaos has already unfolded1
. Artists should monitor developments as this digital safeguard moves toward broader availability, potentially reshaping how the music industry defends against unauthorized AI-generated music clones.Summarized by
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