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Peers demand more protection from AI for creatives
However, there was broad and vociferous support for Baroness Kidron, a film director and digital rights campaigner, who accused ministers of being swayed by the "whisperings of Silicon Valley" asking them to "redefine theft". The Lords rebellion follows condemnation from Sir Elton John, who called
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We have a chance to prevent AI decimating Britain's creative industries - but it's slipping away | Beeban Kidron
Beeban Kidron is a film director and crossbench peer in the House of Lords For months now, legends of music, literature, product design, the visual arts and more have been sounding the alarm about the British government's plan to undermine copyright law. The fight kicked off when the government
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Labour defeated for third time over AI plans that threaten creative industries
"The House of Lords did a vote, and it was more than two to one in our favour, the Government just looked at it as if to say, 'hmmm, well the old people... like me can afford it." Lord Black of Brentwood, the deputy chairman of the Telegraph Media Group, has called for ministers to do more to
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The UK government is under fire for its proposed AI policies that could potentially undermine copyright protections for creative industries. Artists, musicians, and lawmakers are pushing for stronger safeguards against AI companies using copyrighted material without permission or compensation.

The UK government is facing intense criticism over its proposed artificial intelligence (AI) policies, which many argue could severely undermine copyright protections for the creative industries. The controversy centers around plans that would allow AI companies to use copyrighted material for training their models without explicit permission from rights holders
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.High-profile artists and industry figures have voiced their opposition to the government's approach. Sir Elton John branded the government as "losers" and accused them of potentially "committing theft" if they proceed with their current plans
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. Other notable figures joining the protest include Paul McCartney, Annie Lennox, and Kate Bush, who are part of a group of over 400 signatories to a letter addressed to the Prime Minister, demanding a change in policy2
.The House of Lords has emerged as a significant battleground for this issue. Crossbench peer Baroness Beeban Kidron, a film director and digital rights campaigner, has been at the forefront of the opposition. She introduced an amendment to the data (use and access) bill that would require AI companies to disclose what material they use to develop their programs and obtain permission from copyright holders
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.The government, represented by Technology Minister Baroness Jones of Whitchurch, argues that the issue of copyright in relation to AI is complex and cannot be rushed. They maintain that any solution must consider the global nature of copyright, the creative sector, and AI development
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. However, critics accuse the government of being swayed by "the sweet whisperings of Silicon Valley" and effectively redefining theft to benefit AI companies1
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The creative industries are a significant contributor to the UK economy, providing 2.4 million jobs and contributing £126 billion to the nation's GDP
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. Opponents of the government's policy argue that it threatens not only the economic viability of these industries but also the UK's cultural heritage and ability to tell its own stories2
.Baroness Kidron's amendment aims to introduce transparency measures that would allow copyright holders to identify when and how their work is being used by AI systems. This approach is seen as a minimum step to ensure that UK copyright law remains enforceable in the age of AI
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. Despite the amendment being voted down in the House of Commons, the debate continues, with the bill set to return to the House of Lords on June 2nd2
.As the controversy unfolds, it highlights the complex challenges of balancing technological innovation with the protection of intellectual property rights in the digital age. The outcome of this debate could have far-reaching implications for both the creative industries and the development of AI technologies in the UK.
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