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BBC Director-General Deems AI-Generated Doctor Who Episode 'Pretty Good'
The BBC previously abandoned plans to use generative AI to create marketing materials for the show, following an audience backlash. The BBC's new director-general has revealed that he was recently sent a 50-minute AI-generated episode of sci-fi show "Doctor Who," judging it "pretty good." Per a
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Entirely AI-Generated Doctor Who Episode is 'Pretty Good,' BBC Boss Says, and 'Not All the Creativity is Bad'
"Everyone's got the ability... to create content at the standard of a Hollywood studio." The BBC's new director general has described a 50-minute AI-generated episode of Doctor Who as "pretty good," and suggested that the technology now enabled the creation of content "at the standard of a
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BBC's new Director-General Matt Brittin praised a 50-minute AI-generated Doctor Who episode as "pretty good" at a Royal Television Society conference, suggesting AI enables content creation at Hollywood studio standards. This comes despite the broadcaster abandoning AI-generated marketing materials for the show in 2024 after audience backlash, raising questions about the BBC's evolving approach to AI in content creation.

BBC Director-General Matt Brittin revealed at the Royal Television Society conference that he recently watched a 50-minute AI-generated Doctor Who episode, describing it as "pretty good."
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Brittin, who joined the BBC in May after an 18-year tenure at Google, told the audience that "everyone's a creator" and suggested that AI now gives people "the ability to create content at the standard of a Hollywood studio."2
While Brittin acknowledged that AI "is not going to replace humans," his comments signal a notable shift in the broadcaster's approach to AI in content creation.1
Though Brittin did not identify the specific episode he viewed, it is widely believed to be the first episode of The Unmade Season, a fan-made AI continuation of Doctor Who.
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The project features an AI-generated Scottish-sounding actor playing a new incarnation of the Doctor who regenerates from David Tennant's 14th Doctor. The episode incorporates familiar Doctor Who creatures including Slitheen and Ood, though it exhibits various AI oddities typical of current generative technology.2
The BBC declined to comment on whether the episode was generated internally or submitted by an external party.1
Brittin's positive assessment stands in stark contrast to the BBC's recent experience with AI and Doctor Who. In 2024, the broadcaster launched a small trial using generative AI to create marketing materials for its flagship shows, starting with Doctor Who.
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Within weeks, the BBC abandoned these plans after receiving widespread complaints from the show's audience, marking a swift reversal of its AI strategy.1
This backlash came just months after the BBC had established its core principles for using generative AI, which emphasized public interest, prioritizing talent and human creativity, and maintaining transparency.1
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Despite the earlier setback, the broadcaster has continued exploring AI through pilot projects, including AI-generated synthetic voices for weather reports and image enhancement tools.
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Days before his Royal Television Society appearance, Matt Brittin indicated he would consider allowing a BBC programme to be made and presented with AI "within guardrails," suggesting the organization is developing frameworks for responsible AI use.1
This measured approach reflects the BBC's attempt to balance technological innovation with its commitment to human creativity and audience expectations.Brittin's comments arrive at a challenging moment for Doctor Who, which has been on hiatus following the conclusion of a $220 million deal with Disney.
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The show's recent era featuring Ncuti Gatwa and returning showrunner Russell T Davies ended after just two seasons when Disney withdrew co-funding, prompting Gatwa's departure in a reshot ending.2
Plans for a Christmas special to resolve remaining plotlines were scrapped, with Davies and production company Bad Wolf also exiting.2
The BBC has now put the venerable sci-fi show, which first aired in 1963, out to tender and is seeking a new production house to deliver episodes by 2028 or 2029.1
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As Brittin faces the task of implementing drastic spending cuts while maintaining world-class programming, his openness to AI-generated content raises questions about whether budget constraints might push the broadcaster toward greater reliance on artificial intelligence for future productions.Summarized by
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