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Berklee College of Music Offers AI Course, Students Are Pissed
When AI tools were first introduced, much was made of the coming educational apocalypse, as people assumed students would just cheat their way through school. At the Berklee College of Music, it's the students who are worried that AI is ruining their education. Futurism reports that students at the prestigious music school are protesting a course focused on the use of generative AI in music making and songwriting that was introduced to the course catalogue for the upcoming semester. The course in question is an elective called "Bots and Beats: AI and the Future of Songwriting." Per the course description, the class aims to "explore how music makers can use the latest AI tools to expand their craft, and how to avoid using those same tools in a way that hinders their craft," and examine "the impact of AI on the music industry (both helpful and harmful), and on the future careers of music makers, as well as the role of musicians and creators in a society with abundant access to music creation." On its face, the premise of the course seems reasonable enough. AI is undoubtedly impacting the music industry. Earlier this year, Rolling Stone reported that AI music tools are becoming an increasingly common part of the production process, in part to generate samples that avoid licensing and rights issues. But the objection of students seems to stem primarily from the fact that the course will task them with "generating original lyrics, melodies, songs, and recordings in collaboration with AI." In an online petition, which has amassed signatures from more than 425 people, the students protesting the course argued, "AI models like ChatGPT that are being promoted by the Berklee Songwriting Department steal the art of 10's of 1000's of artists and rot the essence of the industry and have devastating consequences on the environment all to create facsimiles of real human art." They are calling on the school to disband the course entirely, and said, "There is no place for generative AI at art school." Berklee, in a statement to local Boston news station WBZ, said, "As an artist-first institution at the forefront of contemporary music and performing arts education, Berklee has a responsibility to prepare our students to navigate technologies impacting the creative industries. We will continue to do so, in keeping with our guiding principles." In a comment on the petition page, a person identifying themselves as a former Berklee student wrote, "If administration wants us to be prepared for the future, they should focus on helping connect students with jobs after college. Not teaching tools that steal from artists and make producers irrelevant." It should be noted that the AI-driven course is being taught by musician Ben Camp, according to the school's course catalogue. While it is not disclosed on Camp's professor profile page on the school's website, per their LinkedIn, they are an advisor to Suno, a generative AI music creation platform. If you'd like to revel in a little irony regarding Camp's course, he also teaches a class called "Stealing from the Masters." Seems fitting for a person who works for a company that was sued by basically every major record label for scraping their songs and was accused of committing "the biggest theft in music history.â€
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Berklee College of Music Students Furious That It's Offering an AI "Songwriting" Class
Can't-miss innovations from the bleeding edge of science and tech Hundreds of students at the prestigious Berklee College of Music in Boston have signed an online petition protesting a new course on generative AI music and songwriting, marking another salvo in the continuing battle between artists and a technology they believe is stealing their hope for a livelihood. As of Tuesday, 418 people have signed the petition, which is targeting the two-credit course "Bots and Beats: AI and the Future of Songwriting" and calling for the school to stop leveraging AI on campus. The petition accuses the school of promoting OpenAI's ChatGPT, which "steal the art of [tens of thousands] of artists and rot the essence of the industry and have devastating consequences on the environment all to create facsimiles of real human art," the petition's organizers wrote. Angry comments from current and former students filled the discussion area of the petition, with many expressing disappointment that a school known for fostering the creation of popular music has gone into bed with a technology implicated in the theft of countless original songs. "Very unfortunate behavior from an esteemed creative/music college," one alumni wrote. "Do better, Berklee. You represent so many of us and so many great artist's futures, don't ruin it by damaging the craft." "As a Berklee grad, I'm appalled at the questionable use of AI in creative classes, and if I were a paying student now, I'd be angry being told to use it in place of struggling through every assignment fully myself," another wrote. According to the course's description, students would delve into how AI-aided songwriting can both help and stymie musical creativity along with discussions on the "impact of AI on the music industry (both helpful and harmful), and on the future careers of music makers." In comment to WBZ, Berklee wrote that as an "artist-first institution at the forefront of contemporary music and performing arts education, Berklee has a responsibility to prepare our students to navigate technologies impacting the creative industries. We will continue to do so, in keeping with our guiding principles." Something tells us from this lukewarm statement that Berklee will do little to allay the fears of students and alumni alike.
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Students at Berklee College of Music are pushing back against a new AI course focused on generative AI in music creation. Over 425 people signed an online petition demanding the school disband the elective, arguing AI tools steal from artists and threaten the music industry. The controversy intensifies as the instructor advises Suno, a platform sued by major record labels.
Berklee College of Music is facing intense backlash from its student body over a newly introduced AI course focused on generative AI in music creation and songwriting. More than 425 people have signed an online petition calling for the prestigious Boston institution to disband the elective class titled "Bots and Beats: AI and the Future of Songwriting," which was added to the course catalogue for the upcoming semester
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.The student protests center on concerns that AI tools fundamentally undermine the creative process they enrolled to master. According to the petition, AI models like ChatGPT promoted by the Berklee Songwriting Department "steal the art of 10's of 1000's of artists and rot the essence of the industry and have devastating consequences on the environment all to create facsimiles of real human art"
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. Students argue there is no place for generative AI at art school, particularly when the course requires them to generate original lyrics, melodies, songs, and recordings in collaboration with AI1
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Source: Futurism
The two-credit elective aims to explore how music makers can use the latest AI tools to expand their craft while examining the impact of AI on the music industry and the future of songwriting. The course description states it will cover both helpful and harmful aspects of AI's influence on future careers of music makers and the role of musicians in a society with abundant access to music creation
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.Adding fuel to the controversy, musician Ben Camp, who teaches the AI course, also serves as an advisor to Suno, a generative AI music creation platform. Suno was sued by major record labels and accused of committing "the biggest theft in music history" for allegedly scraping their songs
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. Camp also teaches a class called "Stealing from the Masters," creating an ironic parallel that hasn't been lost on critics1
.The tension reflects broader anxieties about how AI threatens the music industry and artist livelihoods. Rolling Stone reported earlier this year that AI tools are becoming increasingly common in the production process, partly to generate samples that avoid licensing issues
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. Yet this practical application does little to comfort students who see their future careers potentially undermined by the very technology their school is promoting.One former Berklee student commented on the petition page: "If administration wants us to be prepared for the future, they should focus on helping connect students with jobs after college. Not teaching tools that steal from artists and make producers irrelevant"
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. Current and former students filled the discussion area with expressions of disappointment that a school known for fostering popular music creation has aligned with technology implicated in copyright infringement2
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In response to the outcry, Berklee issued a statement to WBZ defending its position: "As an artist-first institution at the forefront of contemporary music and performing arts education, Berklee has a responsibility to prepare students to navigate technologies impacting the creative industries. We will continue to do so, in keeping with our guiding principles"
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.The lukewarm institutional response suggests Berklee has little intention of backing down, setting up a continued clash between administration priorities and student values. As OpenAI and other platforms expand their reach into creative industries, educational institutions face difficult choices about whether to embrace or resist these tools. For students investing significant tuition dollars to develop their craft, the stakes involve not just educational philosophy but their economic futures in an industry already struggling with environmental consequences of AI and questions about what constitutes authentic human art
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