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NYT Cuts Ties With Writer as Scrutiny of AI Content Grows
A thudding prose style wasn't the giveaway this time, but accidentally-cribbed work. The NYT was alerted to the issue by a reader who observed that a January review of "Watching Over Her" by Jean-Baptiste Andrea, written by author and journalist Alex Preston, bore remarkable similarities to a
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A New York Times critic used AI to write a review, but good criticism can't be outsourced
An author and freelance journalist has admitted to using AI to help him write a book review for The New York Times. Alex Preston's review of Jean-Baptiste Andrea's novel Watching Over Her, published by The New York Times in January 2026, draws phrases and full paragraphs from Christobel Kent's
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Plagiarist's the human, not AI!
A freelance writer for the NYT allegedly used AI for a book review. The real issue was plagiarism, not the AI's involvement. The writer failed to edit out AI-generated text. Humans outsource many tasks, but using AI for writing is now seen as scandalous. The focus should be on the human's
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The New York Times severed ties with accomplished freelance writer Alex Preston after he used an AI tool to draft a book review that plagiarized content from The Guardian. A reader spotted the similarities, sparking an investigation that revealed Preston failed to edit out AI-generated text lifted from another critic's work. The incident underscores mounting concerns about AI's presence in newsrooms and the blurred lines between human oversight and technological assistance.
The New York Times terminated its relationship with freelance writer Alex Preston after he admitted to using an AI tool to draft a book review that contained plagiarized content from The Guardian
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. The incident came to light when a vigilant reader noticed striking similarities between Preston's January 2025 review of "Watching Over Her" by Jean-Baptiste Andrea and a review of the same book by Christobel Kent published in The Guardian last August1
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Source: Futurism
Following the alert, the New York Times launched an investigation that led Preston to confess he had used an AI tool to assist in producing the piece but failed to catch sections pulled directly from Kent's work
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. In a statement to The Guardian, where he has previously contributed, Preston said he was "hugely embarrassed" and had "made a serious mistake"2
.The plagiarism was evident in passages describing the book's characters. Kent's original Guardian review read: "But the novel is also rich in smaller characters, from the lazy Machiavellian Stefano to hardworking Vittorio, whose otherworldly twin brother Emmanuele is prone to speaking in tongues and dressing up in ragtag begged-and-borrowed uniforms"
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. Preston's version closely mirrored this: "The novel is also rich in secondary characters, from the lazy, Machiavellian Stefano to Mimo's childhood friend and fellow craftsman Vittorio and Vittorio's otherworldly twin, Emanuele, who speaks in tongues and dresses in scavenged uniforms"1
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Source: Fast Company
An NYT spokesperson emphasized that "reliance on AI and inclusion of use of unattributed work by another writer is a serious violation of The Times's integrity and fundamental journalistic standards"
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. An editor's note dated March 30 now precedes the review online, and the investigation found no issues in Preston's previous pieces for the publication1
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.What makes this case particularly perplexing is that Alex Preston is an accomplished author with six novels and extensive bylines in major publications including the New York Times, The Guardian, and the Financial Times
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. The incident illustrates how even seasoned professionals can stumble when using AI tools prone to hallucinating and cobbling together content without attribution1
.This isn't an isolated case among journalism scandals. Last month, Ars Technica fired a senior tech reporter after he accidentally included AI-fabricated quotes in an article, an error he attributed to asking an AI tool to generate notes
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. Such incidents have fueled ambient paranoia about AI's presence in newsrooms, with particular focus on the New York Times1
.Earlier this month, speculation swirled around a piece in the paper's "Modern Love" column that readers accused of sounding "EXACTLY like AI slop"
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. Days later, The Atlantic published findings from a recent study using AI detection software showing that opinion sections at outlets like the New York Times and The Wall Street Journal were six times more likely to contain AI-generated prose than news articles1
. The author of the questioned column admitted to using AI chatbots like ChatGPT as a "collaborative editor" for seeking "inspiration and guidance and correction"1
.Related Stories
Some observers argue the focus should remain squarely on human responsibility rather than the technology itself. As one commentary noted, the crime was plagiarism—a uniquely human failing—not the use of AI
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. The AI generated words from its training data without intent to plagiarize; it was Preston's job to edit those sections out, and he failed to do so3
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Source: ET
For book critics and newsrooms alike, this incident raises urgent questions about ethical standards and the boundaries of acceptable AI assistance. As AI tools become more sophisticated and accessible, the line between legitimate editorial support and journalistic integrity violations grows increasingly blurred. The short-term impact is clear: heightened vigilance from editors and readers, with publications likely implementing stricter guidelines around AI disclosure. Long-term, the industry faces a reckoning about what constitutes authentic criticism and whether attribution standards can keep pace with technology that seamlessly blends sources. Readers should watch for how major publications update their policies on AI tool usage and whether similar cases emerge as scrutiny intensifies across the media landscape.
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