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A New York Times critic used AI to write his review - but criticism is deeply human
An author and freelance journalist has admitted to using AI to help him write a book review for the New York Times. Alex Preston's review of Jean-Baptiste Andrea's novel Watching Over Her, published by the New York Times in January 2026, draws phrases and full paragraphs from Christobel Kent's
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If using ChatGPT is cheating, what about ghostwriting? The old debate behind a new panic
In February 2023, a little more than a year after the launch of ChatGPT, Vanderbilt University sent an email to its student body in the wake of a fatal campus shooting at Michigan State. "The recent Michigan shootings are a tragic reminder of the importance of taking care of each other," the email
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How AI Is Creeping Into The New York Times
Artificial intelligence seems to be turning up, undisclosed, in the opinion pages of major news publications. On Sunday, a writer named Becky Tuch posted an excerpt on X from a months-old New York Times "Modern Love"column that had given her pause. "I don't want to falsely accuse writers" of using
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Opinion | What the 'Shy Girl' Mess Says About the Future of Fiction
When readers ask questions about my thriller novels, I love to discuss the themes and characters in them and the inspiration for my writing. But as generative artificial intelligence worms its way through the publishing industry, I'm bracing for a stomach-turning query: Did you actually write
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The New York Times drops freelance journalist who used AI to write book review
Writer and author Alex Preston said he "made a serious mistake" after a reader spotted similarities between his review and one that appeared in the Guardian The New York Times has cut ties with a freelance journalist after discovering he used artificial intelligence to help write a book review
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What if I told you the 'AI slop' debate was over 100 years old? It used to be about 'ghostwriting' | Fortune
In February 2023, a little more than a year after the launch of ChatGPT, Vanderbilt University sent an email to its student body in the wake of a fatal campus shooting at Michigan State. "The recent Michigan shootings are a tragic reminder of the importance of taking care of each other," the email
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New York Times Accused of Running AI-Generated Article
Can't-miss innovations from the bleeding edge of science and tech The New York Times faced scrutiny online this week after netizens speculated that a personal essay featured in its storied "Modern Love" column was generated using AI and published without disclosure. Nothing is proven; the AI
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'Soon publishers won't stand a chance': literary world in struggle to detect AI-written books
US release of horror novel Shy Girl cancelled and UK book discontinued after suspected AI use, as publishers feel 'cold shiver' Recently, the literary agent Kate Nash started noticing that the submission letters she was receiving from authors were becoming more thorough - albeit also more
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The People Getting Falsely Accused of Using AI to Write
When Jared Hewitt's co-worker claimed last winter that Hewitt used AI to write an incident report, she did it publicly. "And I work at a day care, so she was berating me in front of children," he says. The co-worker read the document out loud, pointing to the words juxtaposition and
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The New York Times severed ties with freelance journalist Alex Preston after he used AI to write a book review that incorporated unattributed material from the Guardian. The incident highlights mounting ethical concerns about AI in writing as undisclosed use of artificial intelligence spreads across major publications, threatening reader trust and raising fundamental questions about authorship in the digital age.
The New York Times has cut ties with freelance journalist and author Alex Preston after discovering he used AI in writing to craft a book review that pulled language from a Guardian piece without attribution. A reader flagged similarities between Preston's January 2026 review of Jean-Baptiste Andrea's novel "Watching Over Her" and Christobel Kent's August Guardian review of the same book
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. The Times called Preston's "reliance on AI and his use of unattributed work by another writer" a clear violation of its journalism standards5
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Source: The Conversation
Preston told the Guardian he was "hugely embarrassed" and "made a serious mistake in using an AI tool on a draft review I had written, and I failed to identify and remove overlapping language from another review that the AI dropped in"
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. His apology raises troubling questions about disclosure and the extent of AI's role in creative fields. The incident reveals how generative AI in creative writing can blur lines between inspiration and plagiarism and AI tools, particularly when writers fail to scrutinize what their AI assistants produce.The Preston case isn't isolated. Research by Stony Brook University computer science professor Tuhin Chakrabarty and six colleagues found that AI detection tools flagged likely AI use across U.S. press outlets, including in opinion sections of The New York Times, The Wall Street Journal, and The Washington Post
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. A "Modern Love" column by Kate Gilgan drew scrutiny after writer Becky Tuch posted an excerpt that "reads EXACTLY like AI slop"3
. When Chakrabarty ran the column through Pangram Labs' AI detector, it estimated more than 60 percent was AI-generated3
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Source: The Atlantic
Gilgan acknowledged utilizing AI as "a collaborative editor and not as a content generator," prompting ChatGPT, Claude, Copilot, Gemini, and Perplexity for "inspiration and guidance and correction"
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. This defense highlights a gray area in publishing industry standards: where does acceptable assistance end and problematic AI-generated content begin? The Times' ethical-journalism handbook mandates that "substantial use of generative AI" be clearly disclosed to readers, but what constitutes "substantial" remains undefined3
.The role of literary criticism extends far beyond summarization. "Good criticism thrives in the complexity of its environment," writes critic Jane Howard. "Each review sits in conversation with every other review of a piece of art, with every other review the critic has written"
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. The critic's emotional and intellectual engagement with art is intrinsic to their role as mediator between artist and audience—a deeply human function that AI cannot replicate1
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Source: NYMag
When critics use AI, they break an unspoken pact with both writers and readers. Writers assume reviewers have taken time to read and carefully consider their work. Readers trust that published assessments reflect genuine human response and perspective filtered through individual experience
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. Australian literature academic Julieanne Lamond explains that "when we write reviews we have to do it 'naked'—as individual readers, with a public to judge our judgements"1
.The publishing industry faces an accelerating crisis. Last week, Hachette canceled U.S. publication of the Shy Girl novel after readers flagged prose resembling AI-generated text
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. Author Andrea Bartz warns of "a rapid erosion of trust between authors and readers" as AI models improve4
. She notes that with fine-tuning, chatbots can eerily mimic published writers' word choices and grammatical patterns. Author James Frey has openly admitted using AI and boasted, "I have asked the AI to mimic my writing style so you, the reader, will not be able to tell what was written by me and what was generated by the AI"4
.Distinguishing human-written from AI-generated text grows harder as models evolve. AI detection tools remain unreliable, producing false positives and varying results across platforms
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. Pangram's CEO Max Spero acknowledged both challenges exist, warning that percentage estimates of AI content are difficult to determine with certainty3
.Related Stories
The AI debate echoes century-old controversies over ghostwriting, revealing persistent discomfort with words not belonging to the credited author. The term "ghostwriting" first appeared in a 1908 newspaper article describing an anonymous writer paid $5,000 to help a high-society woman write a book
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. Even when consensual and compensated, ghostwriting occupies an ethical gray area. A 1953 article noted that "forgery" and "ghostwriting" could be used interchangeably by scholars2
.High-end ghostwriters collect mid-six-figure fees, with Prince Harry's ghostwriter J.R. Moehringer reportedly scoring a $1 million advance
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. Generative AI promises to democratize this service, becoming "the ghostwriter for the masses"2
. Yet concerns about originality and authenticity persist whether assistance comes from humans or machines.The publishing industry must establish clear standards for disclosure before reader trust collapses entirely. Most readers want transparency when AI has been used, and they quickly recognize telltale patterns of large language models
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. Writers face a stomach-turning new question: "Did you actually write this?"4
. As AI-generated content proliferates, every author risks suspicion, and every book review becomes subject to scrutiny. The Preston incident demonstrates that even established journalists at prestigious publications aren't immune to the temptation—or the consequences—of undisclosed AI use.Summarized by
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